Ethnicity, Identity, and Music: The Musical Construction of Place. ed. Martin Stokes (Oxford/New York: Berg Publishers, 1994)

November 3rd, 2010|

Ethnicity, Identity, and Music: The Musical Construction of Place edited by Martin Stokes engages the multifarious experience of music and performance vis-à-vis social identity and cultural subjectivity working to clarify an argument for music and all its by-parts (e.g., listening, dancing, arguing, discussing, thinking, and writing) as a powerful “means by which ethnicities and identities […]