"Ultimately, the essay demonstrates that Roumain believes that only through effective human solidarity and collaboration can serious social transformation and real human freedom take place."
Michael Nausner, “Hybridity and Negotiated Boundaries Even in Germany: Reflections on the Reception of Postcolonial Theory and Theology.” Journal of Postcolonial Networks Vol. 2, Issue 1 (February 2012): 1-30.
This article attempts to shed light on the colonial legacy in German society today and to highlight instances of the arrival of postcolonial theory and theology in German academia. The invisibility of the colonial past in Germany is slowly coming to an end at the beginning of the twenty-first century, as demonstrated in the first part of the article. The new awareness is reflected in a growing number of activities highlighting Germany’s participation in the establishment of a colonial world order in the nineteenth century and the remaining effects of this participation.
Bassem Shahin, “Albert Cossery’s Revolutionary Poetics of a Poetics of Revolution.” Journal of Postcolonial Networks Vol. 1, Issue 2 (October 2011): 1-41.
This essay will attempt to draw out the structural assumptions of the high-profile Egyptian revolution by revisiting a few short stories and novels by the Egyptian francophone novelist and philosopher of revolution, Albert Cossery. Writing between the late 1930s and the turn of the 21st century, Cossery offered a controversial reading of revolution, focusing his critical lens on his native Egypt. The Egyptian context of the 1930s and 40s informed his reading of revolution—Egypt remained under British jurisdiction; Arab and Egyptian Renaissance, and specifically Egyptian surrealism; the end of Turkish rule and the strategic location of Egypt during World War II.
Jea Sophia Oh, “Watching Avatar through Deleuzian 3D, Desire, Deterritorialization, and Doubling: A Postcolonial Eco-Theological Review.” Journal of Postcolonial Networks Vo1. 1, Issue 1 (September 2011): 1-27.
By employing Deleuzian conceptualizations of “desire,” “deterritorialization,” and “doubling,”1 this study examines Avatar (James Cameron’s 2009 film) as a hybridity of becoming the Other. I will sketch the contours of an oppositional politics within the figure of Empire (or the American capitalist empire which is almost always transcendental). The binary structure of the movie oscillates between two utterly opposing modalities (deploying high-tech military force against eco-friendly indigenous culture, weapons against trees, killing to healing, earth to space, human to nonhuman-nature, white skin against blue skin, etc.) This dualistic tension seems...